Interiors drawn like architecture. 

Sleeping rooms treated as the quietest architecture in the house. Panelled headboard walls, recessed lighting coves and a restrained palette of oak, linen and lacquer set the tone; colour is admitted only in measured doses through upholstery and art.

Open plans organised around a single architectural gesture — a linear fireplace, a ribbed wall, a run of glazing to the garden. Seating is arranged as a room within a room, so a large volume still reads as intimate.

Dining treated as ceremony. Tables are set on axis with the view, framed by timber screens or full-height glazing, and lit by a single suspended fixture that fixes the geometry of the room.

Handleless cabinetry, honest stone and integrated appliances. Every kitchen is drawn around a single island whose proportion is set by the room rather than the module, with services buried so the surface stays uninterrupted.

From compact cloakrooms to principal bathrooms: book-matched stone, freestanding tubs and backlit mirrors. Small rooms are given one strong idea — a coloured tile field, a hexagonal mosaic, a sculpted basin — and nothing else.